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Jane Austen and William Shakespeare
Rosa García-Periago, Marina Cano

Jane Austen and William Shakespeare

A Love Affair in Literature, Film and Performance

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Produktdetails

Verlag
Springer International Publishing
Erschienen
2019
Sprache
English
Seiten
440
Infos
440 Seiten
216 mm x 153 mm
ISBN
978-3-030-25688-3

Hauptbeschreibung



This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga
Twilight
, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.




Inhaltsverzeichnis


Chapter 1: Introduction: Jane and Will, the Love Story




Marina Cano and Rosa García-Periago                    




 




Part 1: History, Contexts and Criticism



Chapter 2: Jane Austen as ‘Prose Shakespeare’: Early Comparisons




Joanne Wilkes



Chapter 3: William Shakespeare and Jane Austen: Biographical Challenges




Robert Bearman



Chapter 4: Shakespeare and Austen Translated




Marie Nedregotten Sørbø



Chapter 5: Jewels, Bonds and the Body: Material Culture in Shakespeare and Austen




Barbara Benedict


 




Part 2: Intertextual Connections




Chapter 6: Is it ‘a marriage of true minds’? Balanced Reading in
Northanger Abbey
and
Persuasion




Lynda Hall



Chapter 7: ‘As sure as I have a thought or a soul’: The Protestant Heroine in Shakespeare and Austen




Claire McEachern




Chapter 8: Tyrants, Lovers, and Comedy in the Green Worlds of
Mansfield Park
and
A Midsummer Night’s Dream




Inger S. B. Brodey




Chapter 9: Forbidden Familial Relations: Echoes of Shakespeare’s
King Henry VIII
and
Hamlet
in Austen’s
Mansfield Park
and
Sense and Sensibility




Glenda Hudson




 




Part 3: Theatre, Film and Performance




Chapter 10: Shylock’s turquoise ring: Jane Austen,
Mansfield Park
and the Exquisite Acting of Edmund Kean




Judith Page



Chapter 11: Austen and Shakespeare: Improvised Drama




Marina Cano


Chapter 12: Shakespeare, Austen and Propaganda in World War II




Rosa García-Periago



Chapter 13: Screening Will and Jane: Sexuality and the Gendered Author in Shakespeare and Austen Biopics




Lisa Starks



 




Part 4: Popular Culture



Chapter 14: Austen and Shakespeare, Detectives




Lisa Hopkins




Chapter 15: In the Pursuit of Love:
Twilight
, Jane and Will




Heta Pyrhönen


Chapter 16: Curating Will & Jane




Janine Barchas and Kristina Straub



 



Chapter 17: Afterword




Mark Thornton Burnett


Klappentext



This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga
Twilight
, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Curating Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.


Über den AutorIn

Marina Cano is Teaching Fellow in English at the University of Limerick, Ireland. She is the author of Jane Austen and Performance (Palgrave, 2017). Her research interests include women’s writing, the long nineteenth-century, performance and gender theory.


Rosa García-Periago is Lecturer at the University of Murcia, Spain. She is currently on leave as Research Fellow at Queen’s University Belfast with a Marie Curie Individual Fellowship awarded by the EU. Her research interests include Jane Austen, Shakespeare and Bollywood and adaptation in Indian Cinema.