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Produktdetails

Verlag
Penguin Books Ltd (UK)
Erschienen
2002
Sprache
English
Seiten
432
Infos
432 Seiten
Illustrations, chronology, further reading, notes
197 mm x 128 mm
ISBN
978-0-14-043926-7

Textauszug

Chapter One


The Dawn

An ancient English Cathedral Town? How can the ancient English Cathedral town be here! The well-known massive grey square tower of its old Cathedral? How can that be here! There is no spike of rusty iron in the air, between the eye and it, from any point of the real prospect. What IS the spike that intervenes, and who has set it up? Maybe, it is set up by the Sultan s orders for the impaling of a horde of Turkish robbers, one by one. It is so, for cymbals clash, and the Sultan goes by to his palace in long procession. Ten thousand scimitars flash in the sunlight, and thrice ten thousand dancing- girls strew flowers. Then, follow white elephants caparisoned in countless gorgeous colors, and infinite in number and attendants. Still, the Cathedral Tower rises in the background, where it cannot be, and still no writhing figure is on the grim spike. Stay! Is the spike so low a thing as the rusty spike on the top of a post of an old bedstead that has tumbled all awry? Some vague period of drowsy laughter must be devoted to the consideration of this possibility.

Shaking from head to foot, the man whose scattered consciousness has thus fantastically pieced itself together, at length rises, supports his trembling frame upon his arms, and looks around. He is in the meanest and closest of small rooms. Through the ragged window- curtain, the light of early day steals in from a miserable court. He lies, dressed, across a large unseemly bed, upon a bedstead that has indeed given way under the weight upon it. Lying, also dressed and also across the bed, not longwise, are a Chinaman, a Lascar, and a haggard woman. The two first are in a sleep or stupor; the last is blowing at a kind of pipe, to kindle it. And as she blows, and shading it with her lean hand, concentrates its red spark of light, it serves in the dim morning as a lamp to show him what he sees of her.

Another? says this woman, in a querulous, rattling whisper. Have another?

He looks about him, with his hand to his forehead.

Ye ve smoked as many as five since ye come in at midnight, the woman goes on, as she chronically complains. Poor me, poor me, my head is so bad! Them two come in after ye. Ah, poor me, the business is slack, is slack! Few Chinamen about the Docks, and fewer Lascars, and no ships coming in, these say! Here s another ready for ye, dreary. Ye ll remember like a good soul, won t ye, that the market price is

dreffle high just now? More than three shillings and sixpence for a thimbleful! And ye ll remember that nobody but me (and Jack Chinaman t other side the court; but he can t do it as well as me) has the true secret of mixing it? Ye ll pay up according, dreary, won t ye?

She blows at the pipe as she speaks, and, occasionally bubbling at it, inhales much of its contents.

O me, O me, my lungs is weak, my lungs is bad! It s nearly ready for ye, dreary. Ah poor me, poor me, my poor hand shakes like to drop off! I see ye coming-to, and I ses to my poor self, I ll have another ready for him, and he ll bear in mind the market price of opium, and pay according. O my poor head! I makes my pipes of old penny ink-bottles, ye see, dreary this is one and I fits in a mouthpiece, this way, and I takes my mixter out of this thimble with this little horn spoon; and so I fills, deary. Ah, my poor nerves! I got Heavens-hard drunk for sixteen year afore I took to this; but this don t hurt me, not to speak of. And it takes away the hunger as well as wittles, deary.

She hands him the nearly-emptied pipe, and sinks back, turning over on her face.

He rises unsteadily from the bed, lays the pipe upon the hearthstone, draws back the ragged curtain, and looks with repugnance at his three companions. He no

Langtext

Charles Dickens's final, unfinished novel, and one that has puzzled readers and inspired writers since its publication

Edwin Drood is contracted to marry orphan Rosa Bud when he comes of age, but when they find that duty has gradually replaced affection, they agree to break off the engagement. Shortly afterwards, in the middle of a storm on Christmas Eve, Edwin disappears, leaving nothing behind but some personal belongings and the suspicion that his jealous uncle John Jasper, madly in love with Rosa, is the killer. And beyond this presumed crime there are further intrigues: the dark opium dens of the sleepy cathedral town of Cloisterham, and the sinister double life of Choirmaster Jasper, whose drug-fuelled fantasy life belies his respectable appearance. Dickens died before completing The Mystery of Edwin Drood, leaving its tantalising mystery unsolved and encouraging successive generations of readers to turn detective. This edition contains an introduction by David Paroissien, discussing the novel's ending, with a chronology, notes, original illustrations by Samuel Luke Fildes, appendices on opium use in the nineteenth century, the 'Sapsea Fragment' and Dickens's plans for the story's conclusion. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Über den AutorIn

Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and slave factories and afforded Dickens the opportunity of two years formal schooling at Wellington House Academy. He worked as an attorney s clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.

David Paroissien is Professor of English at the University of Massachusetts. He is editor of the Dickens Quarterly and author of a number of books on Dickens.