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Produktdetails

Verlag
BLACKWELL PUBL
John Wiley & Sons
Erschienen
2012
Sprache
English
Seiten
416
Infos
416 Seiten
232 mm x 154 mm
ISBN
978-0-470-67490-1

Inhaltsverzeichnis

List of Illustrations ix
 
Series Editors' Preface xi
 
Preface xiii
 
Works Cited xv
 
Introduction: Towards a Reception-History Commentary on the Psalms 1
 
1 The Eleventh Century BCE to the Fifth Century CE: Translation, Exposition, Instruction, Liturgy and the Prophetic Bias 5
 
Jewish Reception 5
 
From Composition to Compilation to Translation 5
 
Exposition: The Prophetic Bias 9
 
Instruction through Imitations of Psalms 11
 
Christian Reception 13
 
The Psalms as Prophecies in the New Testament 14
 
The Psalms as Prophecies in the Church Fathers 24
 
Alexandrian Commentators 28
 
Liturgical Adaptations of the Psalms 40
 
Christian Liturgy 40
 
Jewish Liturgy 43
 
Concluding Observations 46
 
2 The Fifth to Eleventh Centuries: Liturgy, Exposition, Artistic Representation 47
 
Christian Reception 47
 
Liturgy 47
 
Exposition, Homily, Translation 55
 
Artistic Representation 62
 
Jewish Reception 68
 
Liturgy 68
 
Translation, Exposition, Homily 71
 
Artistic Representation 75
 
Concluding Observations 75
 
3 The Eleventh to Fifteenth Centuries: Learning and Discerning 77
 
Jewish and Christian Controversies through Exegetical Works 77
 
Preliminary Considerations 77
 
Jewish Commentators 82
 
Christian Commentators 87
 
Christian and Jewish Artists 95
 
Christian Illumination 95
 
Jewish Illumination 104
 
Christian and Jewish Didactic Works 113
 
Christian Writers 113
 
Jewish Writers 117
 
Christian and Jewish Liturgy 120
 
Christian Adaptations 120
 
Jewish Adaptations 123
 
Translation in Christian Tradition 123
 
Concluding Observations 130
 
4 The Fifteenth to Seventeenth Centuries: Democratization and Dissemination 131
 
Reception as Translation: Christian Responses 131
 
Commentary, Liturgy, Homily and Translation on the Continent 131
 
Liturgy, Homily and Translation in England and Scotland 146
 
Reception as Aesthetic Representation: Jewish and Christian Responses 163
 
Jewish Reception through Art and Music 163
 
Christian Reception through Art, Literary Imitation and Music 166
 
Concluding Observations 190
 
5 The Eighteenth and Nineteenth Centuries: Secularization and Revitalization 192
 
Christian Responses 194
 
Exegetical Works 194
 
Devotional Works 203
 
Musical Reception 220
 
Reception through Liturgy 228
 
Translations of Psalmody 230
 
Jewish Responses 234
 
Reception as Translation and Liturgy 234
 
Reception as Homily and Exegesis 237
 
Aesthetic Responses 239
 
Concluding Observations 240
 
6 The Twentieth to Twenty-First Centuries: Pluralism and Ecumenism 242
 
Christian and Jewish Translations of Psalmody 246
 
Liturgy and Psalmody in Christian and Jewish Traditions 254
 
Exegetical Studies, Christian and Jewish 266
 
Devotional Works, Christian and Jewish 282
 
Aesthetic Responses, Christian and Jewish 290
 
Concluding Observations 307
 
Conclusion: From Introduction to Commentary 309
 
Glossary 313
 
References 322
 
Index of Psalms 351
 
Index of Names 361
 
Subject Index 368

Besprechung

"Dr Gillingham has already published widely on the Psalms, and we look forward to her second volume." (Journal of Theological Studies, 1 October 2013)
 
"A most impressive piece of work ...The coverage is truly encyclopaedic in scope and nothing seems to have escaped Gillingham's attention." --Journal for the Study of the Old Testament
 
"Gillingham meticulously masters the diverse reception history of the psalms ... Every page is bursting with solid research and influential insight. An invaluable addition to the field."
--Religious Studies Review
 
"This wonderful book whets the appetite both for its second volume, and for more volumes of this valuable series ... [A] highly innovative and promising project."
--International Review of Biblical Studies

Langtext

This is the first of a two-volume bible commentary covering the Psalms and examining the role of these biblical poems throughout Jewish and Christian history.
* Provides a fascinating introduction to the literary, historical, and theological background of psalmody
* Examines the psalms through liturgy and prayer, study and preaching, translation and imitation, and musical composition and artistic illustration
* Includes illustrations of significant psalms, helpful maps, and an extensive bibliography; an expanded bibliography to accompany the book is also available at www.wiley.com/go/gillingham
* A forthcoming second volume is planned, which will take an alternative psalm-by-psalm approach
* Now available in paperback, and published in the innovative reception-history series, Blackwell Bible Commentaries

Über den AutorIn

Susan Gillingham is Fellow and Tutor in Theology at Worcester College and is Reader in the Old Testament at the University of Oxford. She has written various books and articles on the Psalms and Biblical Interpretation, including The Poems and Psalms of the Hebrew Bible (1994), One Bible, Many Voices: Different Approaches to Biblical Studies (1998) and The Image, the Depths and the Surface: Multivalent Approaches to Biblical Study (2002).